I'm definitely mood driven when I choose my music. If I'm in a dorky mood, some nerd-y songs about One angry dwarf and 200 solemn faces would do. If I'm angry, some Rage against the Machine works well for me. However, there are a few songs that no matter what mood I'm in, I will listen to them.
Yeah it's not just me being in love with love, but I'm all about the love that is eternal. I know morose but romantic, right?
Interjecting with some arbitrary thoughts since I find myself entertained by all the random clutter out there.
About Me
- JonasFiel
- Seattle-ish, WA
- 30-something years old guy who attempts to make sense of everything happening around him and ultimately just having more questions than answers
Tuesday, October 20, 2009
Thursday, October 15, 2009
What is the turn of the Millenium music?
Each decade has a music scene that can only be defined in nostalgia or if the music was so radical that it was history in the making. The 70's gave us disco. The 80s have new wave. the 90s is grunge. But what about when we hit 2000? Was there something there that defined this musical generation? Taking a look back should help understand what's happening between 2000 and 2010.
The 70s popular music was disco. For at least a decade or two, the 70s was looked back with a cringe on the face. I think for many they wanted to forget the bell bottoms and platform shows and disco was very much associated with that.
As we all moved forward, we began looking at the 70s with a goofy look on our collective face. It was no longer, "ack! what were we thinking," it's now more, "OMG! what were we thinking LOL." Disco dominated, but other musical styles made a move. Rock was there in all its forms, from the whole arena style to glam to alternative - though alternative was never really given the name until later. The B-52s and Talking Heads were so different the only thing is to call them alternative. Punk was also coming around giving the middle finger to pop culture. The 70s also gave rise to funk. Though to varying degrees funk was what brought disco around, funk was also the precursor to hip/hop and rap.
As the disco era began to fade in the 80s, a new pop music phenomenon made its mark on the decade. New Wave music, with the heavy use of synthesizers, odd hair styles, and colorful clothes churned out the hits. Most of the alternative styles of music fell into that catagory. For instance, the B-52s were thrown in there with Kajagoogoo. But no matter how much we were told we were too shy shy, we decided to stay in the Love Shack with the B52s and let them make more records even to this day. Rock decided to take elements of its arena days, throw in the glam of David Bowie and the campyness of new wave and gave us those dang hair bands *blech!* I disdain, but i have my guilty pleasures. Hip/hop and rap also became more mainstream in the 80s, towards the later part of the decade gangster rap became a dominating force in the hip/hop movement.
As the 90s approached, new wave music began to ebb, the hair bands were being looked at as a musical effrontery, and hip/hop rap became less about the hardships of life and more about the life of a rockstar. Early on in the decade though, a style of music took precedence among all - grunge. Take some heavy metal sounds, throw on a flannel shirt, and look disillusioned and you have grunge. It's probably that disillusionment that fueled grunge. I definitely found myself brooding and sarcastic during those times and it wasn't a response to the music, it was more the music resonating my feelings. As grunge faded, music took a weird detour as popular music leaned to boy bands and female pop artists like Britney Spears. I can trace this phenomenon with two words: Spice Girls.
So where are we now musically? The whole boy band thing faded for now... but they always seem to come back. There seems to be no giant movement either commercially or underground. Country for a while had mainstream success, but nothing awe inspiring. Something I have noticed is a retooling of music.
Rather than creating a musical movement, it seems like artists are tweeking what we have now. Some artists Popular music now spans many genre. One day the most popular song could be hip hop, the next it could be a country song - Black Eye Peas to Taylor Swift. A few years back, I said that music seem to be stagnant, that nothing is happening. Now I'm beginning to wonder if this is a transitional decade. With everyone mixing up musical genres and experimenting with what we have now, I think something is on the horizon.
The 70s popular music was disco. For at least a decade or two, the 70s was looked back with a cringe on the face. I think for many they wanted to forget the bell bottoms and platform shows and disco was very much associated with that.
As we all moved forward, we began looking at the 70s with a goofy look on our collective face. It was no longer, "ack! what were we thinking," it's now more, "OMG! what were we thinking LOL." Disco dominated, but other musical styles made a move. Rock was there in all its forms, from the whole arena style to glam to alternative - though alternative was never really given the name until later. The B-52s and Talking Heads were so different the only thing is to call them alternative. Punk was also coming around giving the middle finger to pop culture. The 70s also gave rise to funk. Though to varying degrees funk was what brought disco around, funk was also the precursor to hip/hop and rap.
As the disco era began to fade in the 80s, a new pop music phenomenon made its mark on the decade. New Wave music, with the heavy use of synthesizers, odd hair styles, and colorful clothes churned out the hits. Most of the alternative styles of music fell into that catagory. For instance, the B-52s were thrown in there with Kajagoogoo. But no matter how much we were told we were too shy shy, we decided to stay in the Love Shack with the B52s and let them make more records even to this day. Rock decided to take elements of its arena days, throw in the glam of David Bowie and the campyness of new wave and gave us those dang hair bands *blech!* I disdain, but i have my guilty pleasures. Hip/hop and rap also became more mainstream in the 80s, towards the later part of the decade gangster rap became a dominating force in the hip/hop movement.
As the 90s approached, new wave music began to ebb, the hair bands were being looked at as a musical effrontery, and hip/hop rap became less about the hardships of life and more about the life of a rockstar. Early on in the decade though, a style of music took precedence among all - grunge. Take some heavy metal sounds, throw on a flannel shirt, and look disillusioned and you have grunge. It's probably that disillusionment that fueled grunge. I definitely found myself brooding and sarcastic during those times and it wasn't a response to the music, it was more the music resonating my feelings. As grunge faded, music took a weird detour as popular music leaned to boy bands and female pop artists like Britney Spears. I can trace this phenomenon with two words: Spice Girls.So where are we now musically? The whole boy band thing faded for now... but they always seem to come back. There seems to be no giant movement either commercially or underground. Country for a while had mainstream success, but nothing awe inspiring. Something I have noticed is a retooling of music.
Rather than creating a musical movement, it seems like artists are tweeking what we have now. Some artists Popular music now spans many genre. One day the most popular song could be hip hop, the next it could be a country song - Black Eye Peas to Taylor Swift. A few years back, I said that music seem to be stagnant, that nothing is happening. Now I'm beginning to wonder if this is a transitional decade. With everyone mixing up musical genres and experimenting with what we have now, I think something is on the horizon.
Wednesday, October 14, 2009
I've always said...
...to my man that life is not always about unicorns and rainbows.To which he retorts, "yes it is," and points to a rainbow. I hate when we have this argument in the rain.
Now a new bar is opening up in Capitol Hill District of Seattle, The Unicorn. And of course every time we go down there now, my man will point out that at least for Capitol Hill, it IS about rainbows and at least one unicorn.

Does this post make me look gay?
As Chris Hardwick would say, "gayer than cum on a mustache."
Tuesday, October 13, 2009
Taking it all in stride.
I would be afraid if I were in a garage by myself and I encountered these people.
Monday, October 12, 2009
Fall TV Season has started: Are you watching the right shows?
Here are some of my favorites this season:
The Season opener Road to the Multiverse was great.
I can't help it, I think Mike Rowe is hawt! Him getting dirty just adds to the appeal. Of course, I'd need him to take a shower... that dirty, dirty man.
Sad to say I just started getting into this one. I feel like they are speaking my language.
If you need to know what others you should be tuning into, here is a Monday through Sunday break-down of the shows you should be watching; not that I'm promoting everyone to sit on there butts all night and watch the shows:
Click-y for details.
Might I recommend getting a DVR so you can watch TV on your own time.
The Season opener Road to the Multiverse was great.
I can't help it, I think Mike Rowe is hawt! Him getting dirty just adds to the appeal. Of course, I'd need him to take a shower... that dirty, dirty man.
Sad to say I just started getting into this one. I feel like they are speaking my language.If you need to know what others you should be tuning into, here is a Monday through Sunday break-down of the shows you should be watching; not that I'm promoting everyone to sit on there butts all night and watch the shows:
Click-y for details.
Might I recommend getting a DVR so you can watch TV on your own time.
Thursday, October 8, 2009
Quote of the day.

First shalt thou take out the Holy Pin. Then, shalt thou count to three. No more. No less. Three shalt be the number thou shalt count, and the number of the counting shall be three. Four shalt thou not count, neither count thou two, excepting that thou then proceed to three. Five is right out. Once at the number three, being the third number be reached, then, lobbest thou thy Holy Hand Grenade of Antioch towards thy foe, who, being naughty in My sight, shall snuff it.-Monty Python and the Holy Grail
Best Opening Tracks. EVER!
KEXP.org did a great thing the other day. They went through a countdown of the best opening tracks voted by the listeners. I had nothing to do with the voting process but I definitely enjoyed quite a few tracks. I blipped some, listened to others on the way to work, and looked at the stuff I didn't know.The ones in bold print are some of my favorites:
| Rank | Opening Track | Band | Album |
| 110 | Caribou | Pixies | Come On Pilgrim |
| 109 | Is There A Ghost | Band of Horses | Cease to Begin |
| 108 | It Was There That I Saw You: Source Tags and Codes | And You Will Know Us By the Trail of the Dead | Source Tags and Codes |
| 107 | Cowboys | Portishead | Portishead |
| 106 | Song Remains the Same | Led Zeppelin | Houses of the Holy |
| 105 | Love Burns | Black Rebel Motorcycle Club | Black Rebel Motorcycle Club |
| 104 | I Will Follow | U2 | Boy |
| 103 | Packed Like Sardines In a Crushed Tin Box | Radiohead | Amnesiac |
| 102 | To Bring You My Love | PJ Harvey | To Bring You My Love |
| 101 | The District Sleeps At Home Tonight: Give Up | Postal Service | Give Up |
| 100 | Never Let Me Down Again: Music For The Masses | Depeche Mode | Music For the Masses |
| 99 | Love Vigilanties | New Order | Low Life |
| 98 | Leave Them All Behind | Ride | Going Blank Again |
| 97 | Secret Meeting | The National | Alligator |
| 96 | New Year | Death Cab For Cutie | Transatlanticism |
| 95 | She’s In Parties | Bauhaus | Burning From the Inside |
| 94 | Drive | REM | Automatic For the People |
| 93 | Kissing The Lipless | The Shins | Chutes Too Narrow |
| 92 | Baba O’Riley | The Who | Who’s Next |
| 91 | Speed Trials | Elliott Smith | Either/Or |
| 90 | Nebraska | Bruce Springsteen | Nebraska |
| 89 | 2+2=5 (The Lukewarm) | Radiohead | Hail To the Thief |
| 88 | Rhymin & Stealin | Beastie Boys | License to Ill |
| 87 | Whole Lotta Love | Led Zeppelin | Led Zeppelin II |
| 86 | Message in a Bottle | The Police | Regatta de Blanc |
| 85 | Everything Hits At Once | Spoon | Girls Can Tell |
| 84 | Beautiful Day | U2 | All That You Can’t Leave Behind |
| 83 | While You Were Sleeping | Elvis Perkins | Ash Wednesday |
| 82 | Running Up That Hill (A Deal With God) | Kate Bush | Hounds of Love |
| 81 | Summer Babe (Winter Version) | Pavement | Slanted & Enchanted |
| 80 | Jimmy James | Beastie Boys | Check Your Head |
| 79 | 15 Step | Radiohead | In Rainbows |
| 78 | Bombtrack | Rage Against The Machine | Rage Against the Machine |
| 77 | Bridge Over Troubled Water | Simon & Garfunkel | Bridge Over Troubled Water |
| 76 | Caring Is Creepy | The Shins | Oh, Inverted World |
| 75 | The Queen Is Dead | The Smiths | The Queen Is Dead |
| 74 | Fake Empire | The National | Boxer |
| 73 | Planet Telex | Radiohead | The Bends |
| 72 | My Name is Jonas | Weezer | Weezer |
| 71 | New Day Rising | Husker Du | New Day Rising |
| 70 | Finest Worksong | R.E.M. | Document |
| 69 | Don’t Stop ‘Til You Get Enough | Michael Jackson | Off the Wall |
| 68 | I Saw Her Standing There | The Beatles | Please Please Me |
| 67 | I Am Trying to Break Your Heart | Wilco | Yankee Hotel Foxtrot |
| 66 | In The Flowers | Animal Collective | Merriweather Post Pavillion |
| 65 | The Stars of Track and Field | Belle and Sebastian | If You’re Feeling Sinister |
| 64 | Bittersweet Symphony | The Verve | Urban Hymns |
| 63 | Age of Consent | New Order | Power Corruption & Lies |
| 62 | Untitled | Interpol | Turn on the Bright Lights |
| 61 | Radio Free Europe | R.E.M. | Murmur |
| 60 | I Am One | Smashing Pumpkins | Gish |
| 59 | Help! | The Beatles | Help |
| 58 | Disorder | Joy Division | Unknown Pleasures |
| 57 | Know Your Rights | The Clash | Combat Rock |
| 56 | 3rd Planet | Modest Mouse | The Moon and Antarctica |
| 55 | Respect | Aretha Franklin | I Never Loved A Man the Way I Love You |
| 54 | I Will Dare | The Replacements | Let It Be |
| 53 | Good Times Bad Times | Led Zeppelin | Led Zeppelin I |
| 52 | Up A Beach | Jane’s Addiction | Nothing’s Shocking |
| 51 | Sympathy for the Devil | The Rolling Stones | Beggars Banquet |
| 50 | Tangled Up in Blue | Bob Dylan | Blood On the Tracks |
| 49 | Rid of Me | PJ Harvey | Rid of Me |
| 48 | Space Oddity | David Bowie | Space Oddity |
| 47 | Welcome to the Jungle | Guns & Roses | Appetite for Destruction |
| 46 | We Will Rock You | Queen | News Of the World |
| 45 | Let’s Go Crazy | Prince | Purple Rain |
| 44 | Foxy Lady | Jimi Hendrix | Are You Experienced |
| 43 | Sgt Pepper Lonely Hearts Club Band | The Beatles | Sgt. Pepper’s Lonely Hearts Club Band |
| 42 | Boys Don’t Cry | The Cure | Boys Don’t Cry |
| 41 | Cherub Rock | Smashing Pumpkins | Siamese Dream |
| 40 | Plainsong | The Cure | Disintegration |
| 39 | What’s Going On | Marvin Gaye | What’s Going On |
| 38 | Who Loves the Sun | Velvet Underground | Loaded |
| 37 | Hells Bells | AC/DC | Back In Black |
| 36 | Search and Destroy | The Stooges | Raw Power |
| 35 | Taxman | The Beatles | Revolver |
| 34 | Fight Test | Flaming Lips | Yoshimi Battles the Pink Robots |
| 33 | Burning Down the House | Talking Heads | Speaking In Tongues |
| 32 | Blitzkrieg Bop | Ramones | The Ramones |
| 31 | Hell’s Bells | AC/DC | Back In Black |
| 30 | Search and Destroy | The Stooges | The Stooges |
| 29 | Come Together | The Beatles | Abbey Road |
| 28 | Gloria | U2 | October |
| 27 | Wouldn’t It be Nice | Beach Boys | Pet Sounds |
| 26 | The Stone Roses | The Stone Roses | The Stone Roses |
| 25 | Get Up Stand Up | Bob Marley and the Wailers | Burnin’ |
| 24 | Imagine | John Lennon | Imagine |
| 23 | Pink Moon | Nick Drake | Pink Moon |
| 22 | Only Shallow | My Bloody Valentine | Loveles |
| 21 | Devil’s Haircut | Beck | Odelay |
| 20 | Head Like a Hole | Nine Inch Nails | Pretty Hate Machine |
| 19 | Rusty Cage | Soundgarden | Badmotorfiner |
| 18 | Wanna Be Startin’ Somethin’ | Michael Jackson | Thriller |
| 17 | Sympathy for the Devil | Rolling Stones | Beggars Banquet |
| 16 | Sunday Bloody Sunday | U2 | War |
| 15 | Gimme Shelter | Rolling Stones | Let It Bleed |
| 14 | Bone Machine | Pixies | Surfer Rosa |
| 13 | Angel | Massive Attack | Mezzanine |
| 12 | Break on Through | The Doors | The Doors |
| 11 | King of Carrot Flowers | Neutral Milk Hotel | In An Aeroplane Over the Sea |
| 10 | Just Like Honey | Jesus and Mary Chain | Psychocandy |
| 9 | Teenage Riot | Sonic Youth | Daydream Nation |
| 8 | Everything in Its Right Place | Radiohead | Kid A |
| 7 | Where The Streets Have No Name | U2 | The Joshua Tree |
| 6 | Like a Rolling Stone | Bob Dylan | Highway 61 Revisited |
| 5 | London Calling | The Clash | London Calling |
| 4 | Debaser | Pixies | Doolittle |
| 3 | Airbag | Radiohead | OK Computer |
| 2 | Neighborhood #1 (Tunnels) | Arcade Fire | Neighborhood #1 (Tunnels) |
| 1 | Smells Like Teen Spirit | Nirvana | Nevermind |
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